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Guest Post: Dusk’s Warriors by Emerian Rich

Published October 25, 2017 by admin

So today we’re bringin’ back the guest post for one of my favoite fiends, Emerian Rich!

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What would you do if you could create anything your imagination could think up?
I don’t know about you, but as an artist, I’m often frustrated at the fact that I can’t create exactly what I see in my head. The disconnect between what we can imagine and what my artistic limitations are is something I struggle with as much as the next artist. No wonder artists create one master piece per 3-5 duds that are kept in the workshop, never to see the light of day (or possible purchased by mom).

I was so excited when I decided the gods of my world in Dusk’s Warriors would be able to conjure whatever their imaginations could think up. At last! I would be able to create out of nothing, everything I imagined. But as I sat in front of my blank page and attempted to put those words to paper, I drew a blank. Is the perfection of having carte blanche too much freedom? And how was I to now create in words what I could not create in art?

Once I slapped myself for putting too much pressure on, I figured out a way to bring the joy of conjuring to life. I closed my eyes, turned on my phone voice recorder, and pretended I was Severina, standing in front of her new world. As I imagined conjuring the land of Dusk in my imagination, I spoke aloud what I was seeing in my mind’s eye. I’ve placed an excerpt of conjuring from the book below.

So next time you are struggling with a project, be it art, writing, or music… Take a moment and think about it in another way. Could you write a poem about the piece to convey the emotion you feel? Can you create a song about a writing project? And when you go back after trying it another way, will it come more easily?

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Dusk’s Warriors by Emerian Rich

Heaven has opened up and welcomed the vampires of Night’s Knights into a new reality. As they struggle to find their place in their new world, trouble brews on Earth.

Demon servant, Ridge, is causing havoc by gathering up all the souls on Earth that have been touched by immortality. When he injures one of the Night’s Knights crew, he launches a war between the vampires of Heaven, the Big Bad in Hell, and a mortal street gang of vigilante misfits.

Will Julien, Markham, and Reidar be able to defeat the evil that’s returned, or will they once again need Jespa’s help?

Praise for Dusk’s Warriors:

“All hail, the queen of Night’s Knights has returned! Emerian Rich’s unique take on vampires delights my black little heart.” ~Dan Shuarette, Lilith’s Love

“A world of horror with realistic characters in a fast paced thriller you won’t be able to put down.”

~David Watson, The All Night Library

Praise for Night’s Knights:

“Fresh, original, and thoroughly entertaining.” ~Mark Eller, Traitor

“Emerian brought the Vampire Novel back from the dead.” ~C. E. Dorsett, Shine Like Thunder

Available now at Amazon.com in print and eBook

https://www.amazon.com/Dusks-Warriors-Nights-Knights-Vampire/dp/1544628803

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Emerian Rich is an artist, horror host, and author of the vampire series, Night’s Knights. She is the hostess of the internationally acclaimed podcast, HorrorAddicts.net. Under the name Emmy Z. Madrigal, she writes the musical romance series, Sweet Dreams and she’s the Editorial Director for the Bay Area magazine, SEARCH. She lives in the San Francisco Bay Area with her husband and son.

 

 

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Review Roundup!

Published October 10, 2017 by admin

Time to see what I’ve been up to this week!

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I’m looking at some creepy YA graphic novel offerings this month, so of course I had to go with the classic Anya’s Ghost for Books by Violet! A tale that really hits on the outsider theme in school/teen years, it also includes a really unique ghost and some truly unnerving moments. Read the full review here!

 

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I’m back at I Smell Sheep with another manga review! This time it’s the shojo-tastic, downright adorable Baby & Me. If you want a decent-sized series that’s full of cute to take your mind off your troubles, this is definitely one to check out. Read the full review here!

 

 

Author Interview: Dan Jolley and Gray Widow’s Walk

Published July 21, 2016 by admin

I’m really excited for today’s interview. It’s always fun to talk to someone whose work you’re already familiar with, and Dan is just an awesome, talented guy. I always enjoy what I read by him, and I always walk away from a conversation with him feeling positive. He’s one of those artists who knows how to listen and relate to people, which is golden, people. I cannot stress that enough. Be articulate like Dan.  Plus he’s one of the few people I can talk to about visiting Poland who gets half of what’s coming out of my mouth, so there’s that, too.

But today we are talking about his new book!

As an aside, just picture how many times I have to remind myself that it’s spelled gray because apparently somewhere I have a recessive British spelling gene. It’s killing me over here.

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Amazon    Kindle  B&N  Nook

SJ: Every writer has some sort of process. Give us a glimpse into yours. Do you meticulously outline? Do you write depending on what calls are out there?

DJ: In the whole plotter-vs-pantser debate, I come down as far on the side of the plotters as you can get. This is not just personal preference; when you’re doing any sort of writing for hire, as I’ve done my whole career, you have no choice but to be a plotter. No publisher is going to pay you to come up with stuff as you go. You have to submit an outline, or a summary, or both, and once that gets approved, you generally have to stick to it. That’s one of the things I learned very early on — never tell an editor, “And you’re going to love the ending!” No. No, they won’t. Or at least, they won’t take the chance that they will. That approach has carried over into everything I work on, whether it’s on spec or not.

Also, there are writers who, like Dean Koontz, go into their office every day and write for hours and hours and hours, draft after draft, until they’re satisfied. Then there are the writers who spend days or weeks or months thinking about a story, and when they’ve thought enough, they write it all down in a whirlwind. I’m in that second camp. I do most of my “writing” driving around listening to loud, aggressive music, or working around the house, or showering, or brushing my teeth. I get the whole story worked out beforehand, and then write it all down in bursts. I have a reputation in some circles for being a very, very fast writer, but most of the time, all the heavy lifting has been done before fingers touch keyboard.

SJ: Bonus question – Do you put on a cape and do a chant before hunkering down to work? Sacrifice anything? Along with your process, what’s your quirkiest writing habit?

DJ: I have a couple of writing habits, but they’re kind of boring. If I’m working on a comic book, I draw the outlines of all the pages of the comic on one page of a sketchbook, and do a very basic form of storyboarding; by the time I’m done drawing twenty-two little rectangles representing the twenty-two pages of a standard comic, my brain is fully in comic-writing gear. When I’m doing prose, I have a walking desk set up, and by the time my blood gets moving (around five minutes at two miles per hour), I’m totally in the prose-writing groove.

I used to write in a zero-gravity recliner, and my cat, The Minkus, would get in my lap, so I’d rest the laptop directly on him and work away while he slept. That had to stop, though, for two reasons. First, he doesn’t like my new laptop. I think it’s too heavy. Second, I had to take the old one in to the shop several times to get all the cat hair vacuumed out of it.

SJ:   Are you a meticulous planner or do you believe in the muse? Where do your ideas come from? Do they filter in through your dreams? Do they show up at inopportune times and whap you upside the head? Do they result in a shady deal with a dark power?

DJ: I am a very meticulous planner, as I mentioned earlier. If I had a muse, her name would be “Deadlinika,” and she would whisper things in my ear such as, “Your mortgage payment is due in two weeks,” or “You really need to get that transmission looked at,” or “The editor is expecting your first draft Monday morning,” and I’d shout, “I’M WRITING! I’M WRITING!”

As far as where ideas come from…they come from everywhere. Stories I read in the news, snippets of conversation I overhear in line at the grocery store, anecdotes my 13-year-old niece tells me…it never stops. Sometimes (not as often as I’d like), a fully-formed idea will just drop into my head out of nowhere. I wish I knew how to make that happen on a regular basis.

SJ: bonus question – If your muse had a physical manifestation, what would he or she look like and how would she or he act? Is it a sexy superhero version of Callisto? A sharp-tongued rogue? A reptilian alien? Do they have a catch phrase?

DJ: I’m afraid Deadlinika would look like a really stern, matronly grammar school teacher. She’d just stand there and stare at me, arms crossed, a ruler in one hand, tapping her foot.

SJ: What’s the book/story that’s closest to your heart? Is there a piece that you clearly feel is a piece of you? Do you play favorites?

DJ: In comics, my creator-owned series Bloodhound is closest to me. In video games, my work on Transformers: War For Cybertron came out really really well, though I’m also proud of the work I did on Dying Light. In novels, my answer used to be Alex Unlimited, the trio of YA sci-fi/espionage books I wrote for Tokyopop. But right now, the answer to the whole question is definitely Gray Widow’s Walk, the book that just debuted from Seventh Star Press. It’s what you might call “superhero noir,” and it’s the first time in my entire career that I’ve been able to take the gloves off and write anything and everything I wanted to. I am intensely proud of it. Everything I’ve ever written contains at least some of me, but Gray Widow’s Walk in general, and the characters of Janey Sinclair and Tim Kapoor in particular, are very very much me. Janey is even more me than Tim — which isn’t all that surprising, I guess, since I’ve been told more than once that my inner child is actually a 14-year-old girl. (My wife tends to agree with that assessment.)

SJ: If you could only write one genre ever again upon pain of being sacrificed to Cthulhu, what would it be and why?

DJ: I’d have to go with science-fiction. I love the genre, I grew up on it, my whole life changed the day I saw Star Wars in 1977. (I was six.) But the reason I’d choose it is that it’s so freaking broad. You can write almost anything in science-fiction. Space opera? Sure. Dystopian future, zombie apocalypse, rogue A.I.? No problem. Time travel? Of course. Superheroes? Almost all of them qualify. Even the epic fantasy saga I’m working on behind the scenes is, technically, science-fiction, in the way The Dragonriders of Pern is. I used to consider myself a horror writer, but I think I’ve really been a science-fiction writer all along.

SJ:  What’s your biggest frustration as a writer? What do you consider the downside, or is there one? Is there any cliché that makes you want to wring people’s necks?

DJ: The downside to being a freelance writer, which I’ve been for years and years, is the unpredictable nature of the business. I’ve actually been noticing a lot of similarities between what I do and what my sister-in-law and her husband do: they own and operate their own machine shop. We’re all self-employed, we’re all entrepreneurs, and when you’re self-employed, it’s always feast or famine. You’re either covered up with work (the good times) or you’re scrambling to get work (the shitty times). Sometimes I wish I had learned to do something useful, that would pay well, for the stretches when little or no work was coming in, like welding. Something I could just go do for a week or two or three until the next contract showed up. But then I think, if I hadn’t taken the whole throw-your-hat-over-the-fence, burn-your-ships approach, I wouldn’t be as far along with things as I am now. And I do love where I am now.

SJ:If you had to be stuck in one of your own books/stories for the rest of your life, what would it be and why? If you had to stick a loved one in one of your own books, what would it be and why? An enemy?

DJ:I’d probably choose to be in Gray Widow’s Walk, because it’s set in modern-day Atlanta, and you could live your whole life in that book and not realize people were being targeted by unknown parties and having their DNA forcibly rearranged. Of course, if you did get pulled into that process, it would get a lot less pleasant in a very short amount of time, but 99.9% of the people in the city don’t realize what’s going on. Of any of my books, Gray Widow’s Walk would probably be the (relatively) safest, so that’s where I’d put a loved one, too.

I’d stick an enemy in Harran, the Middle-Eastern city overrun by zombies in the video game Dying Light. No one stays happy there.

SJ: Do you think it’s possible to develop a sure-fire recipe/formula for success as a writer? Would you want to, or does that compromise the art or the fun of it?

DJ: I think some people have tapped into the (forgive me for using this word) zeitgeist in a way that lets them create success after success. Stephen King. Neil Gaiman. For that matter, Aaron Spelling. And y’know what? If I could do that, I TOTALLY would. Because that would mean I would have the freedom to write anything I wanted to. Collect the millions and millions of dollars from my super-popular creation(s), and then just retire to a villa in the south of France or something and write whatever I wanted to write, with no pressure. It’d be like winning the lottery.

SJ: Everyone has words of wisdom for young writers, so I’m not going to ask you about that. With a few unknown writers becoming success stories, a lot of people seem to think it’s an easy career choice. What would your words of wisdom be to these people?

DJ: Marry someone with a steady job that provides good insurance. I wish I were joking about that.

SJ: It seems like everyone likes to gang up on certain genres as being inferior, less meaningful, or cheap entertainment (especially if it’s speculative in nature). Make a case for the genre you write.

DJ: I’ll make a case for every genre, and it goes back to a tried-and-true bit of wisdom: it’s not the story, it’s how you tell it. Good writing is good writing, no matter what genre it’s in, and it’s that fact that has led to a few of my projects (if I may toot my own horn for a moment) getting reviews that proclaim, “This is way better than it has any right to be.” I especially enjoyed those reviews when I got hired to reboot Voltron in comic book form, back around 2002. A lot of writers would have sneered and turned up their noses at that kind of job, but I dove into it head-first, and turned it into an action-packed space opera with intense character relationships and overtones of interplanetary politics.

The same concept holds true for anything, really: witness the rise of My Little Pony, built on the series’ outstanding writing. Or, from several years ago, the TV show Girlfriends. I happened to catch an episode one day, flipping channels, and while I didn’t think I would have all that much interest in a show about four young African-American women in Los Angeles, I couldn’t have been more wrong. The writing on that show was razor-sharp, and I loved it.

It doesn’t matter if you’re writing magical-girl manga, or gritty military science-fiction, or a story about a bitter rivalry between two old men in a retirement home. Good writing will elevate any genre, just as much as bad writing will damage it. Is every genre for everyone? No, of course not. But no genre is inherently “inferior.” That’s elitist bullshit.

SJ: What do you want people to instantly think of when they hear your name or your work mentioned?

DJ: Hmmm…that’s a tough one. But I guess it goes back to when I was working for DC Comics, and was doing a signing at the DC pavilion at the San Diego ComiCon. I ran into one of their big-time, heavyweight writers, a guy who’d done multiple blockbuster books for DC and racked up walls full of awards. I hadn’t ever met him before, but he shook my hand and said, “Y’know, I always pick up your books, because I know when I see your name on the cover it’ll be top-quality.” (I eventually pried the stupid grin off my face.) Now, that was just one guy, of course, and he could’ve been blowing sunshine up my ass. But ideally? I’d love to instill that kind of confidence in all my readers. I’d love for people to see my name and, whatever medium it’s on, in whatever genre, for them to think, “Okay, I know this is going to be good.” Like virtually every creative type, I’m rife with insecurities, and I’m not saying I am that good. But it’s something to strive for.

SJ: Please tell us about your latest/favorite work or a little bit about what you’re working on right now. It’s plug time, so go for it!

DJ: Well, I’ve already said a few things about Gray Widow’s Walk, so I’ll just put the blurb right here on the page:

Janey Sinclair’s ability to teleport has always been a mystery to her. She tried for years to ignore it, but when tragedy shatters her life, Janey’s anger consumes her. She hones her fighting skills, steals a prototype suit of military body armor, and takes to the streets of Atlanta, venting her rage as the masked vigilante dubbed “the Gray Widow” by the press.

But Janey’s power, and her willingness to use it, plunges her into a conflict on a much grander scale than she had anticipated.

Soon she encounters Simon Grove, a bloodthirsty runaway with a shapeshifting ability gone horribly wrong…

Garrison Vessler, an ex-FBI agent and current private defense contractor, who holds some of the answers Janey’s been searching for…

And Tim Kapoor, the first person in years with a chance of breaking through Janey’s emotional shell — if she’ll let him.

But as Janey’s vigilantism gains worldwide attention, and her showdown with Simon Grove draws ever closer, the reason for her augmented abilities — hers and all the others like her — begins to reveal itself. Because, high above the Earth, other eyes are watching. And they have far-reaching plans…

Gray Widow’s Walk is book one of the Gray Widow Trilogy, to be followed by Gray Widow’s Web and Gray Widow’s War.

That’s from the back of the book, which debuted May 13 at StokerCon in Las Vegas. The following two books will come out one per year, unless I get them done sooner than that, which is entirely possible.

I’ve been trying to decide on the perfect way to sum the book up, and I’ve got a couple of possibilities. You could say that it’s like the Netflix version of Daredevil meets Red Sonja. You could say that it’s a sci-fi/action/horror story, since the principal antagonist, Simon Grove has been responsible for more than one reader’s nightmares. But really, it’s what happens when I get to tell a story entirely my way. No word count restrictions, no age-related language restrictions, no limits on the subject matter. Gray Widow’s Walk is the purest story I’ve ever told, and I’m beyond thrilled finally to have the chance to show it to people.

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A Georgia native, Dan Jolley is an American author who writes novels, video games, and comic books, collects unmotivated felines, and should really go to the gym more. His first original novel trilogy, the YA sci-fi/espionage “Alex Unlimited,” was published in 2007. In 2016 he launched two new series, the superhero noir “Gray Widow Trilogy” and the Middle Grade urban fantasy series “Five Elements.” His comics work includes DC Comics’ Firestorm, Eisner Award nominated JSA: The Unholy Three, and TokyoPop’s The Lost Warrior, an extension of the Warriors novel series by Erin Hunter; his video games include Transformers: War For Cybertron and Fall of Cybertron, Dying Light, and Chronos. Dan and his wife, Tracy, live somewhere in the northwest Georgia foothills.

Website: www.danjolley.com
Twitter: @_DanJolley
Facebook: www.facebook.com/dan.jolley1

Juniper Grove presents Shadowed by Ken Hughs

Published July 7, 2016 by admin

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It’s book blitz time again, so let’s check out a new title!

Shadowed

Title:  Shadowed

Author:   Ken Hughes

Published:   February 6, 2012

Publisher:   Windward Road Press

Genre:  Paranormal Thriller

He can hear a whisper a block away… and can’t remember why.

Open your mind, to a city where mystery chases up and down office back stairways, turns brother against brother, and plays out on frozen sidewalks where lives may be shattered if the enemy even looks at the ragged man passing by in the crowd—and even that man cannot guess what memory will be next to batter his mind.

Paul was no detective, no thief, only a student trying to get some distance from his father and brother. When he found himself marked by the power to enhance his senses, he had only that treacherous gift and what few tricks he dared to teach himself, to search for some explanation—or at least the chance to give it meaning by exposing a few petty corruptions.

Paul thought if he lived in poverty to keep his existence secret from the world, at least nobody could force him to use that gift as a weapon against others. But just when he thought he was untouchable, the last thing he expected shakes his world and drags him into the perils of his family, his power, and two women who each have a different claim on his life.

As Paul begins to play cat and mouse with enemies he can’t even name, he must break every rule that’s kept him alive, in every frantic chase and every gamble he makes to break his family free. And all the while, he knows his greatest enemy may still be what lies behind his own secrets.

If you think you know everything a paranormal thriller can do, take a closer look.

Amazon | Barnes & Noble | GoodReads

***

Paul gritted his teeth. Gripping the metal piece as firmly as he could through the glove, he Opened to the shape in the shadows along the window, fighting to ignore the two memories so he could just see the wires, know the distance…

In one move, he reached down through the broken pane to stab the metal’s edge into the wood below, pressing its length between the sensors at just the proper angle. Nothing snapped, no alarm blared… and he yanked his hand back up as the dog snapped at him.

The metal stayed in place. He tried to Open his hearing to follow if the electrical path had changed, but all he heard were Quinn’s words and the dog’s thwarted growls.

Time to find out.

The dog watched his every motion now, so he took the last pigeon from his box and slid it through the hole. The dog barked as the bird fluttered by, but this time, it turned right back to the window as Paul reached in again to flip the latch.

He pulled his hand back in time, but the dog kept barking, and Paul could only hope the guard was still sick of false alarms. And that the other alarm here…

The window slid up, just three inches for now. No bells rang, but the dog snarled and snapped just beyond that gap.

And Paul raised the pet store’s spray bottle and squirted cleaning fluid into its face.

The dog yelped and pulled back, giving Paul a moment to fling the window up. As the dog started toward him again, he gave it another spray, then caught up the bird net and flung it over the beast.

Paul grabbed the bottle again and leaped through, into the room.

A few desks and cabinets stretched around him in the dim light. He turned back to see the dog already shaking off the thin net, as expected. He stepped back and pumped the spray as the dog charged—but it squirted once and then the trigger clicked in without pumping any liquid. He back-pedaled and pumped more slowly, but now the spray only made the dog flinch back a moment.

The inner door’s this way—Paul took a step, and his hip bashed the edge of a desk. The dog lunged.

He spun around the desk and threw himself at the door. For one frozen moment, he wondered if he’d ever heard the guard open it. What if it’s locked? Then he seized the handle and wrenched it open, which sent a spasm through his injured arm.

As he stepped through, the dog came up behind him. Paul ducked sideways and gave the spray bottle trigger one hard squeeze. The spray drove the dog back only a step, and Paul pumped wildly, felt the trigger catch on nothing—He smashed the bottle into the animal’s head, knocked the dog away, then leapt back out through the door and slammed it shut.

Gasping for breath, he listened to the dog’s muted barking for a moment. The spray bottle had split open in his hand, and he set the its remains quietly on the floor.

Paul looked past the desks to the office’s little file cabinet and then marched back to slide the window shut and gather up the net. That left him in the space between the alarms, with the dog trapped, and the guard tired of checking out all these noises.

“Alright, what now?” the guard growled, as the outer door’s lock clicked open. Paul dropped flat, behind a desk just as the light came on.

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Ken Hughes is an urban fantasy writer living in Los Angeles, author of Shadowed and the upcoming The High Road. He’s also done technical writing for missions to Mars, and blogs about writing and genres at www.KenHughesAuthor.com.

Amazon Author Page | Facebook | Twitter | GoodReads | Newsletter

 

 

Southern Haunts 3: An interview with Alexander S. Brown

Published May 8, 2016 by admin

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It’s blog tour time! Today I have an interview with not only a fantastic editor and author, but one of my favorite people and podcasting co-host. But first, ze book.

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Amazon           B&N

Genres/Subgenres: Horror, Short Story, Paranormal, Occult, Folklore/Southern Regional

Deep within the South, read about the magickal folk who haunt the woods, the cemeteries, and the cities. Within this grim anthology, eighteen authors will spellbind you with tales of hoodoo, voodoo, and witchcraft.

From this cauldron mix, readers will explore the many dangers lurking upon the Natchez Trace and in the Mississippi Delta. They will encounter a bewitched doll named Robert from the Florida Keys, and a cursed trunk that is better left closed. In the backstreets of New Orleans, they will become acquainted with scorned persons who will stop at nothing to exact their revenge.

These hair raising tales and more await you in Southern Haunts 3: Magick Beneath the Moonlight. Read if you dare.

Authors:

Alexander S. Brown

Angela Lucius

  1. H. David Blalock

C G Bush

Della West

Diane Ward

Elizabeth Allen

Greg McWhorter

John Hesselberg

Jonnie Sorrow

Kalila Smith

Linda DeLeon

Louise Myers

Melissa Robinson

Melodie Romeo

J L Mulvihill

Robert McGough

Tom Lucas

***

SJ: Tell us about SH3.  What makes it unique compared to 1&2?

ASB: Actually, each vol. of Southern Haunts is unique, as the subjects vary with each book.  Vol 1. Spirits that Walk Among Us, focused on ghosts.  Vol 2. Devils in the Darkness, featured on demonic entities.  Vol 3. Magick Beneath the Moonlight, regards witchcraft and cursed objects.

SJ: Why witches?  What attracts you to the theme?

ASB: I have always been attracted to the occult.  I find the whole subject fascinating and since Spirits that Walk Among Us was published, it was only a matter of time before we released an anthology about magickal persons.  But for this to happen, I had to wait.

For vol. 3 to be about witches, there is a great significance to the vol. number and the subject matter.  In the occult, there is the belief that what one puts out into the world comes back to them in triple abundance.  Also, in paganism, the maiden, the mother and the crone are recognized and honored as a trinity. These reasons are specifically why this vol. could be none other than occult related.

SJ: What makes for a good southern horror story?

ASB: Multiple elements can make a good southern horror story, such as elaborating about the habitat, cultural development, history, verbiage, and so forth.  But personally for me, what makes a southern horror story great, is the way that it is told.

Many times during childhood, I had found myself at family gatherings and I would overhear elderly relatives speak of infamous legends from the region.  The richness of their slang and phrases, made their ghost stories all the more horrifying, because it seemed more personal.  It seemed like the story tellers weren’t utilizing proper words and phrases to identify something infamous, they were using an age old southern dialect that seemed even more tangible.

SJ: Why do you think readers gravitate to themed horror like this, especially in short form?

ASB: I think the majority of readers are under attack from having a short attention span.  Because of life being so hectic, short stories can allow readers to enjoy complete stories in minimal time.  With the subjects being themed, it lets the reader know immediately what they are in store for.  This can result in a quicker purchase.  For example: Southern Haunts 3 is about witches, the title and cover image are self-explanatory.  If the reader loves witches, they are more likely to purchase.  If that reader is not a fan of magickal themed stories, then perhaps Southern Haunts vol. 1 or 2 is more their preference.

SJ: What are the benefits of anthologies?  Any downside?

The biggest benefit for an anthology is that it presents readers with a diversity of authors who they may not have read before.  This works well for the author because it can help them gain new fans.

The downside to anthologies is that no one really makes money, as book royalties are normally split between 15 to 20 creators.

SJ: Was it different wearing the editor hat compared to being an author?

ASB: It was quite different.  After finishing Southern Haunts vol. 1, I had a new respect for editors.  To me, writing is simple and relaxing, editing is time consuming and feels like work.  Although I prefer writing more than editing, editing the Southern Haunts series has improved my writing skills.

SJ:What is the best thing about putting a book like this together?  The most difficult?

ASB: The best thing about constructing an anthology is seeing likeminded authors come together and submit their creativity.  It is a good feeling to know that other names in the profession want to work with you and contribute stories that might have been stuck in their head for quite some time.

The downside is when I have to reject stories.  I can understand how an author might think that it’s so easy for an editor to dismiss a story, and this isn’t the case.  For me, sending a rejection email, hurts me just as much as it does the author.

SJ: Any advice to authors who are interested in submitting to anthologies?

ASB: First, research the publisher before you submit.

SJ: Second, follow the guidelines.  Sometimes guidelines are overly specific with their requirements, even down to spacing, font, and letter size.  Obey all of these rules.  A lot of times, editors will use these demands as ways to see if the author payed attention, or cares about their work.

SJ: What’s next for Southern Haunts? For you as an author?

ASB: For Southern Haunts vol. 4, we are anticipating creature stories.  We haven’t decided on a title yet, but it will follow the theme of its predecessors, but with monsters.

I have a few books that are in the works.  One of which is in the final edit stage, and is being published by Pro Se Press, this will be a collection of Halloween stories called The Night the Jack O’ Lantern Went Out.  I have one story left to write before Traumatized pt 2 is complete, and The Looking Glass Creatures is currently undergoing a massive edit.

AlexanderSBrown

Alexander S. Brown is a Mississippi author who was published in 2008 with his first book Traumatized. Reviews for this short story collection were so favorable that it has been released as a special edition by Pro Se Press. Brown is currently one of the co-editors/coordinators with the Southern Haunts Anthologies published by Seventh Star Press. His horror novel Syrenthia Falls is represented by Dark Oak Press.

He is also the author of multiple young adult steampunk stories found in the Dreams of Steam Anthologies, Capes and Clockwork Anthologies, and the anthology Clockwork Spells and Magical Bells. His more extreme works can be found in the anthologies Luna’s Children published by Dark Oak Press and State of Horror: Louisiana Vol 1 published by Charon Coin Press.

Visit Smashwords.com, Amazon.com, and Barnesandnoble.com to download his monthly short stories known as Single Shots. These are represented by Pro Se Press and they are known as stories that will be featured in the upcoming book The Night the Jack O’Lantern Went Out.

 

SJ Reads: YA Graphic Novel Edition

Published April 4, 2016 by admin

I thought I’d open up the week with some fun, so it’s time for another edition of SJ Reads! This time I wanted to touch back on what is probably one of my biggest comfort reading genre – graphic novels, though because I have a lot of friends with kids and I’m always curious about what the youngin’s are puttin’ in their noggins, this edition has a YA slant.

Ghostopolis by Doug TenNapel – Combining the stories of a rough paranormal investigator and a boy accidentally pulled to the other side, this is a fast-past story that kids will easily get into. It’s probably geared more to boys, but the characters are likable enough that I think girls would get into it, too. As an old person, there are several plot points that I would’ve liked developed a little more, but it’s probably good that the action and characters take precedent. A fun, loose art style that’s very eye-catching, and just a really nice, just-dark-enough title all the way around.

Cardboard by Doug TenNapel – I think I liked this a little bit more than Ghostopolis, because there was a somewhat bigger cast and more attention was paid to how they interacted with each other, even if it was just for a fleeting hint in a panel or two. Cam’s out-of-work father gives him a cardboard box for his birthday. Even though it’s all he can afford, it also gives them time to spend together…and, as it turns out, the cardboard has special abilities. I love all the different creatures and worlds that come from the cardboard, I love the interactions between characters, and because this is so grounded in real-world problems, it really made me pay attention.The only thing that made me go ‘eh’ is the ‘villain’ was the somewhat stereotyped misunderstood rich goth kid. However, a lot is done with the character and although I would’ve liked to be a little less predictable/get in his head a little more, he’s actually my favorite character in the whole book and there are some fun things done with his progression. So, while there is the usual kind of archetypes/tropes that you’re used to seeing in mid grade lit or entertainment (especially if you grew up in the 80s or 90s), there is some comfort to that and there are some interesting things done with it. Nice pace, great art, and it made me want to go make something.

Princess Decomposia and Count Spatula by Andi Watson – an underworld princes is the pseudo-ruler of her kingdom because her hypochondriac father doesn’t want to deal with stress of politics. Add to that the pain of hiring an unusual new chef who becomes her only confidant and you get a very cute, very tame creepy romance. What I like is that the relationship is not the foremost thing – or it shares the spotlight with Decomposia’s feelings about her father, her stress at trying to put up a front running the kingdom and determining what kind of ruler she wants to be. Plus, Count Spatula is a really unique vampire. Just a kind dude who can cook and happens to have fangs. There’s a lot of moments here that gave me a chuckle, and I love that the major focus was Decomposia standing up for herself. The art is cute and while not as detailed as some titles, it really fits the tone of the book.

Rapunzel’s Revenge by Shannon Hale and Dean Hale – I love fairy tales. I love warped fairy tales. This may be one of the greatest things I have ever read. Rapunzel, set in sort of the villa/slavery system of the old west, where the witch rules the territory out of her villa and controls the water and harvest of the villages through her growth magic. You see how Rapunzel was put in the tower, but also her escape and her growth as she makes her way across the territory to face down the witch with outlaw Jack (from Jack and the beanstalk fame). A totally new slant is given to most of the characters, and it fits the fairy tale narrative in that there are a lot of little adventures along the way of the big journey. There’s no being saved by a prince (though there’s a hilarious hat-tip to that), and Rapunzel takes down foes with hair lassoing. She is second fiddle to none, and there’s a lot of time given to talking about her role, her place, her gender, her journey.  Also HUGE props to how many female characters are in this book, and characters of color. It’s fantastic. This was one I read and reread and re-re-read and then forced upon everyone around me because it is that much fun. The art is beautiful, vibrant, and earthy and the themes of growth magic are consistent while still really feeling like it all belongs in the old west. Love.

Curses! Foiled Again by Jane Yolen and Mike Cavallaro – In the first Curses, Aliera stumbled upon a fencing foil that made her defender of the Seelie kingdom. In this volume, she deals with what that means. Not only is she trying to keep up with fencing to get to nationals, but her lab partner is a troll and declares himself her servant. The powers of darkness are out to get her foil, and it’s hard to know who to trust when her cousin Caroline is attacked. Again, I love this for the female lead – Aliera has unique strengths, but she’s also a normal girl and needs help along the way. Her cousin Caroline is an incredible gem of a character – wheelchair bound and supposedly “frail,” it’s Caroline who guides Aliera with advice and her RPG and fantasy knowhow. Both girls tell it like it is in their own way. It’s also intriguing that the whole school paranormal romance angle is turned on its head with some of the characters, so it’ll be interesting to see where that goes. Plus, Baba Yaga makes an appearance and there’s no way I could ever be mad about that. A fun romp with classic Jane Yolen awesomeness.

 

Calling all Bloggers and Reviewers!

Published March 21, 2016 by admin

Wanted to give props to some blog tours coming up – if you’re a reviewer or a book blogger, you’ll want to get in on these! Just click the link to go to the respective tour page.

Bob Freeman’s Carinwood Manor Series – Horror/Dark Fantasy

THE VAMPIRE MACGREGOR LIVES…

“Foolish pup,” MacGregor chided the werewolf, “you don’t get it. Laddie, if water were evil I’d be but a drop. What lurks below is an ocean.”

From the haunted halls of Cairnwood Manor to the bowels of Rosslyn Chapel, Bob Freeman hurls you into the very heart of the eternal conflict between the forces of darkness and the forces of light.

It’s fang versus claw, spell versus steel, and love versus death in an epic battle of blood and thunder.

When a sinister cabal converges to unleash the ultimate evil against an unsuspecting world, only the combined strength of the Wolves of Cairnwood Manor and the Circle of Nine Skulls offers up a glimmer of hope as werewolves, vampires, witches, immortal warriors, and an army of the undead collide in a battle of epic bloodshed.

Southern Haunts 3 – dark fantasy/horror –  Magic Between the Moonlight. The Southern Haunts Anthology series is back, and this time it’s featuring all stories and folklore about witches. Not to be missed.

Georgia L Jones – Remnants of Life series – paranormal/urban fantasy

Dangerous Saviors…what would you do if your life rested in the hands of something that really wanted to EAT YOU…

Come journey through the realms of the next world where everything you know about Good and Evil are put to the test.

Samantha Garrett lives and dies a good life in the human world. She awakens a new creature, Samoda, a vampire-like warrior in the army of Nuem. She is forced to realize that she has become a part of a world that humans believe to be only “Legends of Darkness”. Samoda finds her new life is entwined with the age old story of Greed, Love, Betrayal, and Vengeance.

Join our Heroine as she battle’s not just for her own existence, but for entire human race’s future.